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BEHIND
THE SCENES
On Fear, Rejection, and Persistance in the Writing Life
(adapted/excerpted
from Write Your
Heart Out)
If external circumstances wage battle against our writing,
they are nothing compared to the war that internal circumstances
wage, those demon voices that assault even the most confident
writer:
Why spend time writing something that may fail?
Why fill pages with words no one will read?
What if they read my words and hate them?
Why should I even try, when so many brilliantly gifted writers
have already said it so well?
I’m too old to start something new.
There aren’t enough hours in the day.
And even if there were, what do I have to say anyway? I’ve
never climbed Everest, won an Oscar, divorced a celebrity,
spent time in prison, had an affair with a president, survived
unspeakable atrocities...
And even if I had, the world doesn’t need another book.
Besides, I have nothing to say.
And no words with which to say the nothing.
One of the quotes I keep above my desk is from Audre Lorde: “It
is hard to fight an enemy who has outposts in your head.” External
forces, simply by the fact that they are external, are easier
to spot—and, in turn, to vanquish—than the forces
that attack us from within. Internal forces never show themselves
because they’re not out there, they’re in here—looking
out through my eyes, listening with my ears, breathing with
my lungs.
On this particular morning, the enemy is Doubt. I can tell
by its shallow breathing and whispery hiss. Yesterday it
was Competition’s booming baritone; last week it was
Regret, with her thin childish whine. There’s a veritable
host of enemies out there—or rather, in here—just
waiting to occupy the space reserved for writing: fear, despair,
insecurity, envy, perfectionism, shame. The list goes on
and on. There are powerful forces inside each of us, forces
that are capable of silencing us before the first word is
written. We don’t have to surrender to them, but we
must respect their power. If we don’t, if we refuse
to acknowledge their existence, we’ll find ourselves
ambushed from within.
Because these enemies dwell inside me, are in fact part of
me, I’ll never be able to vanquish them completely.
We’ll continue our skirmishes. Some days their forces
will get the best of me. Other days I’ll surprise them,
turning their own weapons against them. (Just yesterday I
located a sharp fear and put it in the hands of a character
who successfully sliced his way to the end of the story.) “Okay,” I
think, staring down at the blank page or out the blank window
or into the blank computer screen. “I know you’re
there, I can hear you breathing. Come out come out wherever
you are.”
I type one word, then the next. Soon a sentence appears:
something, where nothing was before. Sentence by sentence,
the page fills. Writing begets more writing. Meaning grows
on the page. Because writing is a commitment I have made
to myself, I know that eventually the words will return and
I will thrive at the desk.
That’s one of the best things about living a writer’s
life: There’s always hope for the next piece of writing.
When writing is only a tool, a way to get you from here to
there, it’s easy to give up when you can’t get
from here to there, no matter how hard you try. But when
writing becomes your heart, it beats inside you. You and
the words are one, writing is your heartbeat, your joy, and
yes it can be difficult at times, but still you want to be
around it. You want it so badly that you’ll go to the
desk to find it—even when you’re afraid to, even
when you suspect that trouble awaits you there. Where else
will you meet up with the words?
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